Synopsis
A musical voyage among the exotic places and people of Anatolia, the unique host of ancient civilizations, empires, as well as mythologies and the glory of 10 millennia.
As the fruit of 350 hours of footage and 8 years of hard labor and creative studies, Lost Songs of Anatolia may be the first example of its kind; an experimental musical-documentary film. The cultural riches of Anatolia are sung in authentic performances recorded live on location, spontaneously.
With modern arrangements, an incomparable musical is formed.
While this journey is showing how music and culture is derived from life, geography and work, an exploration of Anatolia’s versatile cultures also takes place on the basis of music, dance and rituals. The staggering environment surrounding these people and influencing their lifestyles contribute to the lyric flow of the film. |
Facts about the Film
The project started in 2002 and is still in progress. Anatolia was explored thoroughly and twice, afterwards, several additional shootings were made at spot locations.
- Total time of footage is more than 350 hours,
- A total of 61 people worked during the filming, 8 of who were camera operators.
- The vehicles travelled around 40.000 kilometers in total.
- A total of 133 performances were recorded in 121 locations and 43 of them were selected for inclusion in the film.
- The editing work took 4 years.
- The soundtrack was ready after 3 years of work, whereas the album was completed in 4 years.
- The making of the film was completed in 8 years.
- 5 of the characters in the film passed away before the premiere.
Lost Songs of Anatolia's world premiere took place in the 27th International Istanbul Film festival in 2008. Later on, it was screened in the following festivals:
- 45th Antalya Golden Orange Film Festival, Turkey,
- 31st Montpellier Mediterranean Film Festival, France
- 48th Thessaloniki International Film Festival, Greece,
- Docufest 2009 in Kosovo,
- Salento Film Festival 2009, Italy,
- Zagreb Film Festival 2009, Croatia,
- Ghent Film Festival 2009, Belgium
as well as some others. The local release of the film was in March 2010.
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Cultures
The various cultures presented in the film are:
- Circassian Dances from Düzce
- Alevi rituel semah and folk songs from Tokat
- Horon Dance from Trabzon
- Hemşin Songs and improvisations from Rize
- Polyphonic Georgian Songs from Artvin
- Minstrel Quarrel and The Shepherd’s Stran (Kurdish Song) from Kars
- Eagle Dance from Bingöl
- Bektaşi Song from Tunceli
- Dengbej in Muş
- Cotton field workers’ Work Song from Diyarbakır
- Syriac rituals in Mardin
- Folk songs from Midyat and scenes from Harran
- The Gazel from Urfa
- Barak Song from Gaziantep
- Silk producer’s Work Song in Hatay
- Folk songs and Kirtil Semah Ritual from Silifke
- Bozlak Songs from Kırşehir and Kırıkkale
- Zeybek Dance and a Karacaoğlan Song from Denizli
- Nomad’s music played with kemane and sipsi from Burdur. Also Lover and the Beloved Dance.
- Gypsy’s Drum and Clarion from Muğla
- Sword and Shield Game from Bursa
- Armenian and Greek Songs
- The Whirling Dervishes!
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CREDITS
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| Director and Producer |
NEZİH ÜNEN |
| Directors of Photography |
ARAS DEMİRAY BEHİÇ GÜLSAÇAN |
| Music |
NEZİH ÜNEN |
| Co-Producers |
HASAN ASLANOBA TAHA ALTAYLI |
| Executive Producers |
EMRAH AKKURT MAHİR ALTUNDAĞ VEDAT ATASOY |
| Unit Supervisors |
SAMİ SOLMAZ ULAŞ BEŞOKLAR |
| Camera Operators |
ULAŞ BEŞOKLAR BLAGOY TOPRAKİDİS TAYMAN TEKİN SEVDAN ŞENKULAK GÜRCAN ÖZTÜRK CUMHUR AYAR |
| Art Supervisor |
CEYDA CABA
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| Editing |
NEZİH ÜNEN
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| Assistant Director |
SEÇİL İSSİ |
| Production Manager |
SİMİN GİRİŞMEN |
| Production Assistants |
HÜLYA ŞEN BİLGEN BIYIKLI AYŞEGÜL SÖNMEZ MURAT İNAK |
| Music Co-Producers |
SARP ÖZDEMİROĞLU ARTUN SÜRMELİ |
Sound Recording
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ONUR ALBAYRAK MEVLÜT ÜNAL RAHMAN DİLBER ADA İMAMOĞLU MEHMET KILIÇEL (STAGE) |
| Lightning Chief |
ZEYNEL UĞUZ
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| Photographer |
GÜRCAN ÖZTÜRK ŞENOL DURMUŞ İZZET KERİBAR |
| Editing Consultant |
MUSTAFA PREŞEVA |
| Post Production Coordinator |
ERMAN MEÇ
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| Assistant Editors |
AGAH BAĞRIK CEM YILDIRIM CEYDA SARIHAN |
| Sound Design |
SARP ÖZDEMİROĞLU
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| Cultural Research |
SİMİN GİRİŞMEN SAMİ SOLMAZ GÜRCAN ÖZTÜRK ADA İMAMOĞLU ERMAN MEÇ |
| Musicological Advisors |
HASAN SALTIK BİROL TOPALOĞLU MELİH DUYGULU OĞUZ ELBAŞ AHMET MORTAŞ |
| Linguistic Research |
İPEK EFE ASLI TANRIYAR ERMAN MEÇ |
| English Translation |
JONATHAN ROSS AYŞE ÇALIK ROSS |
| Transportation |
MUSTAFA YİĞİT (HACI) HİKMET ARSLAN |
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STUDIO PERFORMERS
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| "Geçti Gönül Baharımız" Vocal |
AYNUR HAŞHAŞ |
| Bass Guitar |
ALP ERSÖNMEZ İSMAİL SOYBERK |
| Guitar |
GÜLTEKİN KAÇAR MURAT ÇEKEM SARP ÖZDEMİROĞLU SARP MADEN |
| Guitar |
CENGİZ ERCÜMER MEHMET AKATAY |
| Hanged Drum |
ÖZCAN GÖK
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| Pipe |
OSMAN AKTAŞ
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| Lute |
YURDAL TOKCAN
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| Douduk |
ERTAN TEKİN
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| Kanun |
GöKSEL BAKTAGİR
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| Clarinet |
BAHATTİN LEKESİZGÖZ
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| Ney |
EYÜP HAMİŞ
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| Keyboard |
ARTUN SÜRMELİ
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| Organ |
SARP ÖZDEMİROĞLU
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| Mix |
MUSTAFA ÖZTÜRK
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| Dancer |
MERVE BİLALOĞLU |
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PLAYERS
(IN ORDER OF APPEARANCE)
CEMİLE YILDIRIM ÇETİN İÇTEN OSMAN TURAN OSMAN EFENDİOĞLU CEVAHİR ŞERBETÇİ MUSTAFA METİN CEVDET ÖZTOPAL HALİL ER MEHMET BEDEL MEHMET ÇELER KIRTIL TÜRKÜ TOPLULUĞU MUHAMMET DEMİR CEYHUN DEMİR İSMAİL ÖZDEMİR DENİZLİ ZEYBEK EKİBİ BEHZAT YURT ALİ KARA MEHMET DEMİR BİNGÖL HALK OYUNLARI EKİBİ MADİNE ÖZEN DURUDERE KÖY HALKI ORHAN KARADAĞOĞLU MAHMUT KARATAŞ SABRİ YOKUŞ HERKÜL BONCUK ALİ BİLGİŞ MUSTAFA UĞUR ŞAHİN UĞUR AHMET ELMASTAŞ YAŞAR İLİ FAHRETTİN GÜÇTEKİN SELAHATTİN GüÇTEKİN NURDOĞAN DEMİR TONYA OTANTİK HALK DANSLARI TOPLULUĞU ŞEVKİ ÖZGEN SEVİM SEYHAN MERYEM SEYHAN ZEKİYE BAKIR REYHANE ALKAN UFUK ALTAY FİRDEVS ALTAY İSMAİL TURAN MACAHELA POLİFONİK ŞARKILAR TOPLULUĞU BOSTANKÖY ÇERKES TOPLULUĞU AHMET YURT AHMETALAN KÖY HALKI DİYARBAKIR PAMUK TARLASI İŞÇİLERİ HASAN BÜYÜKAŞIK MEHMET ŞAH TÜRKÜZ ZİHNİ AYDIN BURSA KILIÇ KALKAN EKİBİ İBRAHİM KAAN DALKIRAN NASRA ŞİMMESHİNDİ YERÇANİK PARSEĞYAN ANİ DİONYAN YANNİS SAOULİS GRUBU AHMET NACİ YOLUK LATİF ELEN ÖMER ELEN KIRTIL KÖY HALKI NEVŞEHİR SEMAZEN TOPLULUĞU SAMİN BAHÇEBAN
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Director’s Perspective
The day we started this film, I told my crew, “There is no script to follow. It will be written by Anatolia". And that is how it happened! In this land of tired and worn out cultures remaining from ancient civilizations, my choice of doing this film had been through spontaneity and in serving the local people telling their stories via songs, rituals and dances.
At the beginning, my motivation was more musical oriented rather than documentary. Having a reasonable music career before directing this film, I had always been thinking of the potential in Anatolian cultures for creating new musical styles. So, my first intention was to make a contemporary, but eccentric musical film, based on the authentic performances of Anatolian people.
But during the travels we made in Anatolia, I was so impressed by the cultural heritage and the lifestyles of those people that, the project which I was to shape started shaping me and itself instead, and a documentary style started to take over the initial idea. So, the final product came out to be an experimental musical-documentary.
Nezih Ünen |
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